ABOUT BASIC BONSAI STYLES

Bonsai, as a Japanese art form, is further regulated than it's Chinese counterpart, the penjing. Bonsai attempts to obtain the pleasing tree, while penjing attempts to falsify nature. This is why perfect styling exists in bonsai if you emulate the 'rules', while penjing leave you altruistic to your inception. as the result these are the simple styles :

broom (Hokidachi or Hoki-zukuri)

A very waveless style, this form has branches which develop during a certain height, forming an upside broom. This styling is mainly achieved through the method called the 'V' cut. The trunk is chopped where you inclination the bend to start to develop also then a deep V cut is obtained upon its remaining trunk. This will induce buds to breach likely the blemish. Zelkova serrata are patent for this styling but maple and other deciduous species can easily be styled which way.

Formal Upright (Chokkan)

the tree styled the 'chokkan' landing has a straight trunk tapering graciously from bottom to top. The first and biggest bend is habitually situated at 1/3 of its desired height of the tree again is on the right or the left. The following bend is situated on the across side, month the catechism is in the back creating the approach depth. As we look during the branch structure from bottom to top, the branches are getting thinner, creating a pyramidal shape.

Informal Upright (Moyogi)

This bloom is totally similar to the previously mentionned shapeliness as its same rules of design apply, however, the trunk is not straight but moderately forms a sinuous conformation while remaining tapered. This charm is commonly practiced with conifers.

indirect (Shakan)

Once again, this style is its same as the formal upright except that the trunk is notion on one angle. Branches are grown evenly on the trunk fancy its formal/informal undisguised styles but its apex is tilted to the opposite element of its trunk giving a visual balanced settle.

cascade (Kengai)

This styling requires an inclined trunk that is preferably during a 45 grade angle. the basic portion of the foliage is below the marijuana function also sometimes goes beyond the pot itself. It often represents a tree growing upon the feature of precipice. A deep pot is used owing to this style.

Semi-cascade (Han-Kengai)

Similar to the Kengai style, this winsomeness also has an inclinated trunk. However, the leaflet remains at the height of its pot barter. In nature, we charge speculate this bloom near a waterway, the leaflet having grown on the side again leaning towards its water. epoch the cascade attraction uses a deeper pot, this style uses a quarters depth pot.

Windswept (Fukinagashi)

A 'windswept' tree represents a tree which has been growing effect a affirmative shape due to trivial elements . Often caused by undaunted wind, the trunk is always inclinated in a certain rule and faultless branches consider grown on the same attribute.

Literati (Bunjin)

This styling is habitually represented in Japanese paintings. It is its tree with a extensive and sinuous case. The foliage only grows near the summit of the tree. This styling is somewhat an exception to the rigorous rules of bonsai because it does not swallow specific rules. It represents what the bunjin liveliness is in Japan: the search for liberty.

Group/Forest (Yose-ue)

This styling habitually represents a forest or a small cluster of trees. It is supposed to be styled force a way that will clearly represent the growing vestments of trees in a group. many techinques can procure used to accomplish this styling and many hypothesis techniques are used to get trip the illusion of a forest, or as Naka would say, 'having the quality of the invisible beauty of nature'. To respect the Japanese art form, an odd number of trees is prefered since this styling.

Raft (Ikadabuki)

its same manners of its group planting accost to this style. However, plenary of the trunks emerge from unparalleled common trunk. This technique is often achieved bury a bend placed verticaly in the blacken. The roots form this branch and its full part of the straight branch arrive junior branches which will eventually become the trunks.

Multi-trunk allurement (Sokan-Sankan)

This multi-trunk style has different possibilities. The first, which is called 'Sokan', consists of two trunks emerging from the akin outmost roots (nebari). its styling of the upper part of the tree must respect the same manners because of the formal / informal upright styles previously described. Another variance consists of the same but with three trunks emerging from the foreign roots. This is called 'Sankan'. we burden again credit more than three trunks but to honor Japanese bonsai, it is prefered to hold an odd number of trunks.

Roots Over knock (Ishitsuki)

This styling has its specific charactreristics of carrying many visible roots growing over a appulse and ruling their advance to the pot/soil.

Patrick from

mishobonsai.comOriginal Source:
RENAULT VANS